Ardeshir Rostami, Untitled (Wonderland), Undated
Colour pencil on paper
58 x 41 cm (visible), 84 x 67 x 2 cm (framed)
Condition: Very good, with spots of mould on the top right corner of the matboard
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Ardeshir Rostami (Iranian, b. 1970) is a multifaceted artist—cartoonist, architect, writer, and actor—known for his playful and imaginative approach to art. His works often carry a sense of mischief, seamlessly camouflaging women’s body parts into his landscapes.
Untitled (Wonderland) invites audience to look beyond the soft strokes of the colour pencil on paper, and wonder at the landscape formed by mounts and curves of shoulders, legs and torsos, blurring the boundaries between the human form and nature.
(Photographed in November 2024)
Colour pencil on paper
58 x 41 cm (visible), 84 x 67 x 2 cm (framed)
Condition: Very good, with spots of mould on the top right corner of the matboard
-
Ardeshir Rostami (Iranian, b. 1970) is a multifaceted artist—cartoonist, architect, writer, and actor—known for his playful and imaginative approach to art. His works often carry a sense of mischief, seamlessly camouflaging women’s body parts into his landscapes.
Untitled (Wonderland) invites audience to look beyond the soft strokes of the colour pencil on paper, and wonder at the landscape formed by mounts and curves of shoulders, legs and torsos, blurring the boundaries between the human form and nature.
(Photographed in November 2024)
Colour pencil on paper
58 x 41 cm (visible), 84 x 67 x 2 cm (framed)
Condition: Very good, with spots of mould on the top right corner of the matboard
-
Ardeshir Rostami (Iranian, b. 1970) is a multifaceted artist—cartoonist, architect, writer, and actor—known for his playful and imaginative approach to art. His works often carry a sense of mischief, seamlessly camouflaging women’s body parts into his landscapes.
Untitled (Wonderland) invites audience to look beyond the soft strokes of the colour pencil on paper, and wonder at the landscape formed by mounts and curves of shoulders, legs and torsos, blurring the boundaries between the human form and nature.
(Photographed in November 2024)