Ali Esmaeilipour, The Crossing, 2003
Acrylic on linen + wood
185 x 104 cm
Condition: Good, foxing and dust
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This piece is by an Iranian artist, Ali Emaeilipour who’s unique style is continuing the artwork into and over the frame, thus integrating the frame into the painting in a manner I found interesting and unique. Arabic script is also a feature of his work which is subtly included in the work, but in a way you have to look very closely to find - despite the piece having a “western” subject/ theme.
The Crossing is a piece which appealed to me due to its scenic style which is both bleak and atmospheric. The subtle positioning of the person by the side of the road reminded me of the continuing journey of life towards a horizon that can not yet be seen. It also creates a sense of loneliness and that certain journeys can only be done alone - and that this is something that should be embraced, reflected by the fact that the upper part of the painting depicts bright sunlight rather than a darker sky. The discarded items in the grass also tell their own story. Although I have this placed in a bedroom, this would make an excellent hallway/ corridor piece given its “continuing journey” theme.
The painting is being put up for sale due a work relocation overseas to a furnished serviced apartment - so rather than place in long term storage, I would rather the piece find a home whereby it would be displayed.
(Photographed in May 2024)
Acrylic on linen + wood
185 x 104 cm
Condition: Good, foxing and dust
-
This piece is by an Iranian artist, Ali Emaeilipour who’s unique style is continuing the artwork into and over the frame, thus integrating the frame into the painting in a manner I found interesting and unique. Arabic script is also a feature of his work which is subtly included in the work, but in a way you have to look very closely to find - despite the piece having a “western” subject/ theme.
The Crossing is a piece which appealed to me due to its scenic style which is both bleak and atmospheric. The subtle positioning of the person by the side of the road reminded me of the continuing journey of life towards a horizon that can not yet be seen. It also creates a sense of loneliness and that certain journeys can only be done alone - and that this is something that should be embraced, reflected by the fact that the upper part of the painting depicts bright sunlight rather than a darker sky. The discarded items in the grass also tell their own story. Although I have this placed in a bedroom, this would make an excellent hallway/ corridor piece given its “continuing journey” theme.
The painting is being put up for sale due a work relocation overseas to a furnished serviced apartment - so rather than place in long term storage, I would rather the piece find a home whereby it would be displayed.
(Photographed in May 2024)
Acrylic on linen + wood
185 x 104 cm
Condition: Good, foxing and dust
-
This piece is by an Iranian artist, Ali Emaeilipour who’s unique style is continuing the artwork into and over the frame, thus integrating the frame into the painting in a manner I found interesting and unique. Arabic script is also a feature of his work which is subtly included in the work, but in a way you have to look very closely to find - despite the piece having a “western” subject/ theme.
The Crossing is a piece which appealed to me due to its scenic style which is both bleak and atmospheric. The subtle positioning of the person by the side of the road reminded me of the continuing journey of life towards a horizon that can not yet be seen. It also creates a sense of loneliness and that certain journeys can only be done alone - and that this is something that should be embraced, reflected by the fact that the upper part of the painting depicts bright sunlight rather than a darker sky. The discarded items in the grass also tell their own story. Although I have this placed in a bedroom, this would make an excellent hallway/ corridor piece given its “continuing journey” theme.
The painting is being put up for sale due a work relocation overseas to a furnished serviced apartment - so rather than place in long term storage, I would rather the piece find a home whereby it would be displayed.
(Photographed in May 2024)