• Anthony Poon, Untitled (Blue & Pink Waves on 6 Panels of Grey Squares), 1985
  • Anthony Poon, Untitled (Blue & Pink Waves on 6 Panels of Grey Squares), 1985
  • Anthony Poon, Untitled (Blue & Pink Waves on 6 Panels of Grey Squares), 1985
  • Anthony Poon, Untitled (Blue & Pink Waves on 6 Panels of Grey Squares), 1985
  • Anthony Poon, Untitled (Blue & Pink Waves on 6 Panels of Grey Squares), 1985
  • Anthony Poon, Untitled (Blue & Pink Waves on 6 Panels of Grey Squares), 1985
  • Anthony Poon, Untitled (Blue & Pink Waves on 6 Panels of Grey Squares), 1985
  • Anthony Poon, Untitled (Blue & Pink Waves on 6 Panels of Grey Squares), 1985

    Anthony Poon, Untitled (Blue & Pink Waves on 6 Panels of Grey Squares), 1985

    Regular price $95,000

    Acrylic on canvas
    113 x 113 cm (visible), 123 x 123 x 4 cm (framed)
    Condition: Very good
    Certificate of Authenticity available

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    Anthony Poon (Singaporean, 1945-2006) was a key figure in modern abstract art in Singapore. He trained at the Nanyang Academy of Fine Arts in the 1960s and later studied at Bynam Shaw School of Art and the Royal Academy of Art in London. Returning to Singapore in the 1970s, he became known for a systematic, formalist approach to abstraction that marked a shift away from the Nanyang School's figuration.

    Poon first gained recognition for his Shaped Canvas series in the early 1970s, in which geometric compositions extended beyond the traditional rectangular frame. This exploration of structure and form laid the groundwork for his best-known Wave series. By the 1980s, Poon was turning these waves into relief paintings and sculptural formats, constructing canvases over curved aluminium supports to create subtle three-dimensional effects. Later, he expanded the motif into public sculptures across Singapore. 

    The piece, with its segmented vertical divisions, undulating bands and a palette of greys, whites, pinks and blues, belongs stylistically to the panelled Wave reliefs sometimes described as "6P Waves" or "multi-panel Waves." These compositions are distinguished by their modular structure of vertical strips anchoring the work while coloured wave-bands cut across. The work demonstrates how Poon combined a rigorous formal system with subtle shifts in colour and line to achieve harmony.

    Throughout his career, Poon exhibited widely in Singapore and internationally. He represented Singapore at the 1984 Venice Biennale, and his works are today held in major collections such as the National Gallery Singapore and the Singapore Art Museum. 

    Acquired directly from the artist in the late 1980s.

    (Photographed in October 2025)

    Artwork located in: Singapore
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