Chen Cheng Mei, Untitled (Prosperity), 2000
Oil on canvas
49.5 x 74 cm, 55.5 x 80.5 x 3.5 cm (framed)
Condition: Fair, surface accretion and mould throughout, paint loss throughout
Certificate of Authenticity from the Estate of Chen Cheng Mei available.
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Chen Cheng Mei (Singaporean, 1927–2020) was a trailblazing artist whose quiet, resolute presence marked her as one of the few Singaporean women of her generation to sustain a lifelong artistic practice. A graduate of the Nanyang Academy of Fine Arts in 1954, she studied under Cheong Soo Pieng and Lim Hak Tai, spending weekends sketching outdoors with them. Chen was part of the Ten Men Art Group and travelled across Southeast Asia with them, but it was after the group’s reconfiguration that she journeyed more extensively throughout not only Asia, but Africa and the Americas.
Chen's paintings, etchings, and prints are marked by a quiet intensity. While her works appear simple or naive, they reflect a sophisticated understanding of texture and form, honed through printmaking and a deep engagement with literature and the natural world. Chen’s ethos was shaped by her belief that culture is the backbone of a country. Her works form a personal visual diary, documenting lives across regions with quiet honesty. Often working outside the spotlight and at an intimate scale, Chen reminded us that art is not just about seeing, but feeling.
The white duck is an auspicious symbol, often associated with purity and balance. Chen makes this symbolism explicit through the word "auspicious" written in Mandarin on the bowl placed beside it. Likely set against the backdrop of a barn, the scene offers a quiet moment of reflection on produce before it becomes produce—capturing the animal in a state of stillness, life, and dignity.
(Photographed in May 2025)