Teng Nee Cheong, Still Life with Mangosteens and Durians, 1970
Oil on canvas laid on board
33 x 44 cm (visible), 48 x 59 x 3.5 cm (framed)
Condition: Very good, with a small patch of paint loss on the upper left section and on the bottom right section of the work. The condition is consistent with the age of the work.
Certificate of Authenticity from the Estate of Teng Nee Cheong available.
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Teng Nee Cheong (Singaporean, 1951–2013) studied at the Nanyang Academy of Fine Arts (1966–1968) under the influence of mentors like Georgette Chen and Ng Yat Chuan. Throughout his career, Teng demonstrated mastery across oil, pastel and charcoal, though it is his intimate still lifes that reveal a quieter, more contemplative strand of his practice
In these early to mid‑career works, Teng imbued everyday produce with both formality and lyricism. Teng’s still lifes occupy an important place within his wider oeuvre, bridging his training in Nanyang figure and local landscape traditions with the more ornate, symbolic narratives he later developed. They demonstrate his capacity for attentive observation and formal refinement, serving as foundational studies in colour, shape and composition.
Teng’s early career laid the groundwork for what would become a highly individual and expressive body of work. In 1978, he received the Ministry of Culture Special Award, marking a moment of national recognition that affirmed his artistic direction. While he would go on to explore identity and queerness in later decades, his earlier works already signalled enduring interests in visual storytelling, ornamentation, and cultural synthesis—elements that would come to define his singular artistic language.
This work reflects Teng’s technical mastery of oil painting. Vividly realist in style, it features fruits unmistakably native to Southeast Asia, distinguishing it from the other works of its western impressionist style. Even within this traditional genre, Teng subverts expectations through his choice of subject, grounding his practice firmly in the region’s visual and cultural identity. The work is reflective of the style of Teng's aforementioned mentor, Georgette Chen.
(Photographed in June 2025)