Tay Bak Koi

Tay Bak Koi (Singaporean, 1939–2003) studied under Cheong Soo Pieng (Chinese, 1917–1983) at the Nanyang Academy of Fine Arts in 1957. During his three-year course, he supported himself by selling crabs at a market stall while experimenting with oils and watercolours. Frustrated by the structural rigidity and formal instructional methods of art academia, he was determined to pursue a lifelong career in the arts but recognised the need to cultivate a distinctive style to establish himself as an artist.

Tay’s early works captured Singapore’s vanishing landscapes, portraying geometric kelongs and kampongs with a keen sensitivity to texture. His restrained use of colour acted as a form of punctuation, emphasising contrast and meaning within his compositions. Blending fantasy and reality, his art often reimagined urban landscapes through abstraction. A master of elimination and distortion, Tay distilled complex forms to their essence, developing a visual language that was both striking and deeply introspective.