[Press Release] Nauti: All Things Naughty and Nautical
Art Again Presents Nauti: All Things Naughty and Nautical, Its Largest Exhibition to Date, Marking Three Years of the Secondary Market Platform
Featuring Over 50 Works by Singapore’s Pioneering Artists, Nauti Opens 22 August 2026 at Objects.re.
Teng Nee Cheong, Untitled No. 270, 2000
SINGAPORE, 22 July 2026—ART AGAIN presents NAUTI: All Things Naughty and Nautical, its largest exhibition to date, featuring over 50 works drawn from 15 private collections. Running 22 to 30 August 2026 at Objects.re, the exhibition brings together two of the most recurring subjects on the ART AGAIN marketplace and in Singapore's mid-twentieth-century art: the nautical, in bumboats, rivers and quays; and the body, in nude studies, bathers and figure work.
For the first time, these two subjects are brought into the same room. Painted in the same period and often by the same artists, the two subjects were nevertheless treated, displayed and collected differently. In private homes, one hung where everyone gathered; the other was kept somewhere quieter. NAUTI stages an encounter between them that has rarely, if ever, happened in public.
NAUTI marks three years of ART AGAIN, which launched in 2023 as a secondary market platform connecting buyers and sellers of pre-owned art. Beyond the online marketplace, ART AGAIN stages exhibitions only a handful of times a year, mounting a major show yearly to bring works held in private collections back into public view. NAUTI, its largest and most ambitious presentation yet, marks the platform's third year in operation.
The exhibition draws on a pattern ART AGAIN has observed across three years in the secondary market: two subjects, from the same period, that keep surfacing in the collections it handles, yet treated very differently.
In post-independence Singapore, art was widely understood to serve the work of nation-building, and the Singapore River fit the brief. Working, multiracial and developing, it was the picture the young nation wanted of itself. Painted often, exhibited widely, and acquired into the National Collection. As the waterfront was cleared through the 1970s and 1980s, those scenes came to stand for progress itself.
The unclothed body sat less comfortably. Public display was contested and models difficult to find, but artists continued, often working at a remove in Bali and the region, where an ethnographic framing made the subject more permissible. These works entered homes more privately than they entered public view.
Two subjects, the same period, equally prolific and unequally placed. NAUTI brings them together: the subjects a nation gathered around (the nautical), and the ones it kept at a distance (the ‘naughty’).
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NAUTI features works by some of the most significant names in Singaporean art. Among them, Chua Ek Kay (1947–2008), celebrated for bridging Chinese ink tradition with Western abstraction, often in scenes of Singapore's streets and waterways; Anthony Poon (1945–2006), a leading figure in Singapore's abstract and lyrical movement, known for his sculptural wave reliefs and rigorous explorations of line, colour and form; Cheong Soo Pieng (1917–1983), one of the foundational figures of the Nanyang style whose work shaped the visual language of modern Singaporean art; and Teng Nee Cheong (1951–2013), known for his richly decorative, sensuous compositions drawn from tropical and Balinese imagery, whose nudes are among the finest of his generation.
The exhibition also features works by Lim Tze Peng (b. 1921), Ng Eng Teng (1934–2001), Tay Bak Koi (1939–2005), Sarkasi Said (1940–2021), Chen Cheng Mei (1927–2020), Seah Kim Joo (b. 1939), Wong Keen (b. 1942), Jimmy Ong (b. 1964), Lin Hsin Hsin (b. 1952), Low Puay Hua (b. 1957), Ho Huu Thu (1940-2024), and Henri Chen (b. 1959). Spanning several generations and a wide range of practices, these artists helped shape the language of modern and contemporary art in Singapore.
All works are drawn from private collections and are available for purchase. Many of the artists in NAUTI are also represented in Singapore's National Collection, and the exhibition offers a rare opportunity to acquire works by figures of that standing, pieces that have long been held in private hands. For collectors, NAUTI provides access across two of the most enduring subjects in Singaporean art, spanning diverse practices and periods.
Event Details:
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Nauti: All Things Naughty and Nautical |
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Date: |
Saturday 22 August to Sunday 30 August 2026 |
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Hours: |
11AM – 7PM |
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Location: |
Objects.re, 51 Tannery Lane, #08-01, Singapore 347798
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RSVP Here: link.
To download the full press kit, please click here.
To learn more about the exhibition, please visit our website.
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About Art Again
Art Again is the world’s first dedicated online marketplace for the secondary fine art market, connecting private collectors buying and selling outside of auction. Curated, transparent, and built on a growing database of private sale transactions that does not exist anywhere else, it does for fine art what the first luxury resale platforms did for fashion: makes a previously opaque and illiquid market accessible to the collector who already wants to participate but had nowhere credible to go.
About Objects
Objects.re launched in 2021, out of Naj’s love for vintage and secondhand items. Today, it has grown into a vibrant community connected by their love for hand-picked, pre-loved treasures. Objects hopes to encourage homes to include vintage or secondhand elements because more than the charm that is offered, buying secondhand is an extremely sustainable option.
For press inquiries or additional information, please contact:
Fithriah Hashim, Marketing Lead, Art Again
admin@artagain.co
T: +65 8802 0068